Streamlined isn’t a word typically associated with bridal, but that’s how Monique Lhuillier described her vision for Fall 2018. It’s less of a surprise when you consider Lhuillier has done her part to streamline the entire getting-married process, from her line of engagement rings to an Essie nail polish collection designed to match her gowns. Now, she’s adding a partnership with Pottery Barn, which includes decor for the bridal suite and reception dinner.
Instead of a traditional runway show, Lhuillier transformed the grand Academy Mansion so guests could experience the dresses and furnishings in living color. There was a lively reception hall (complete with brides and grooms toasting with flutes of Champagne) as well as a staged bridal suite with toile bedding in Lhuillier’s signature shade of rose. Given all of those extras, her approach for the gowns was simple and understated, comprised of just 16 dresses and a crepe pantsuit. “In past seasons, it was all about embellishments, lots of lace, and [it was] more over-the-top,” she said, as models shuffled past in satin robes and pearl-stitched shower slides. “Now, the streamlined look is in, and there’s a return to classic beauty and style.”
The standout gown was made from 250 yards of Spanish tulle that still managed to fit close to the body; it was nipped here, full there. However, while simplicity was the running theme, there were also options for the edgy bride, like a leather motorcycle jacket with pearl-grommet details—a first for Lhuillier. “It’s always exciting to see bridal move forward,” she said. “I love giving my bride new options that people haven’t seen before.” In that vein, there was a pair of modifiable dresses with removable sleeves, so you could go covered-up at the ceremony and strapless for the reception. “Before, I noticed that most of my girls were open to changing [into a second dress], but now they get so attached to their dresses that they don’t want to,” she said. “They just want elements of the dress to come off.”
