In his collection notes, Hed Mayner made it clear that he doesn’t do “overwrought statements of seasonal quirk.” Rather, season after season he revisits scaled-up proportions, honing them as a sculptor might.
“I started by trying to build a silhouette that has a strong contact between front and back, and just being this two-dimensional look with a contrast,” the designer offered backstage. That translated into parkas, duffle coats, and jackets that looked straightforward enough from the front, until you caught the decadence of an open back.
The comforts of home were the throughlines, with spoons repurposed into sculptural drop earrings and antique bed linens sourced from fleas in Paris and Tel Aviv that Mayner
stonewashed, starched, and sewed into shirts.
Though they were pretty, the designer said that poetry wasn’t his point. “I wanted to have elements that just look collected or found and applied on yourself, like diving into your sheets and staying there,” the designer said of a square-cut shirt in cotton embroidered with openwork garlands.
Those tops and a slouchy-shouldered knit with trailing threads offered plenty of crossover appeal, though Mayner said such considerations were secondary to exploring proportions and, notably, stripping away notions of gender and status. Instead, he wanted to propose ideas of “clothes as accessories.” Even so, there were status contenders here. The midnight blue blouson springs to mind. So does a denim bomber. And, espectically, that leather aviator jacket.
