For 20 years Ashish Gupta has shaped futureproof wearables that are highly compatible with pleasure. And by developing his pieces in sequins via Indian handcraft rather than pixels via code, these garments command real-life attention on multiple levels.
As this new logistics- and COVID-delayed collection amply showcased, one core skill set in the Ashish portfolio is cutting what appears uncomplicatedly oomphy womenswear. Yet were it was so simple then everyone would do it: those Halston-reminiscent bias cut slip and halter dresses, the Edith Head–evocative goddess gown shot by the fireplace, and the vaguely-Valentino ruffle mini are as exacting to craft as they are apparently enchanting to wear. Sprinkled around these conventionally glamorous shapes worn unconventionally were denim, separates, and swimwear, plus a powerful fringe bomber jacket that lent this collection enough versatility be worn anywhere from evening reception to all-night rave.
With Ashish, the real decoding lies in the pattern. This season he went back to one of his most enduring inspirations, the intersection of modes of dress he observed on the street in Delhi before he set off for London and Central Saint Martins. “In winter you will see Indian ladies in their silk saris, and then putting over a little Fair Isle cardigan—saris meet Scotland.”
This became the launchpad for a seasonal in-sequin-remix of ikats, stripes, argyles, and houndstooth (some cherry-strewn) that spoke directly to the spirit of cross-cultural relish that is central to Ashish. That fireplace dress was cut to evoke the sari as much as it was to conjure mid-century glamour. A sequin cricket jumper spoke of another shared language, and a Chanel-template jacket and mini dress were emphatically anti-monochromatic. While Ashish talked about these elements “clashing together,” that clashing was anything but antagonistic; instead it proved the source for some sparklingly fresh and fun fashion harmonies.
