If her Prada collection, with its emphasis on the bust, was a sexual come-on, Miuccia Prada's Miu Miu show was about romance—at least on its pre-Summer of Love sixties surface. The narrow, short silhouette made an erogenous zone of twiggy legs elongated by square-toed pumps. Sleeveless shifts came with high, chin-scraping collars, some accented with thin, floppy bows; other dresses blossomed below the waist and were cinched with large turnkey closures (the better to preserve the innocence of the girls who wore them, perhaps). An abundance of silver rosettes dotting the front and circling the hem of coats added to the sweet Mary Quant-ish vibe.
But this wouldn't be a Miu Miu show without a little—or a lot of—provocation. Pinafore dresses with plunging U-fronts were worn with bandeaux that exposed the flesh under the breasts; shifts had cutouts at the ribs; and miniskirts flipped up suggestively at the outer thighs. All of this was done in fabrics that had an odd, incongruous solidity.
The linear, Edie Sedgwick, pre-hippie sixties have been popping up with increasing frequency as the Fall season comes to a close. This collection put Prada squarely in the center of things, but, as usual, with her signature perverse twist.
