Wonderous bias-cut gowns were de rigueur at John Galliano shows; Spring 1996, which took ballet as its theme, was no exception. With their cone-breasted mini tutus, “ballerinas” Kate Moss and Shalom Harlow had more than a touch of the burlesque about them—think Degas meets The Crazy Horse. Adding variety, reported The New York Times, was a “missionary” group, which walked “to choir music and a sermon being preached.”
